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	<title>1935</title>
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		<title>The Donuts record ‘Progrum’, December 1st 2012</title>
		<link>http://www.nineteenthirtyfive.com/?p=40</link>
		<comments>http://www.nineteenthirtyfive.com/?p=40#comments</comments>
		<pubDate>Mon, 03 Dec 2012 16:58:32 +0000</pubDate>
		<dc:creator>Peter Rydberg</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.nineteenthirtyfive.com/?p=40</guid>
		<description><![CDATA[As in, “Change the channel, hun – my progrum is on!” The Donuts returned to 1935 this Saturday to record the follow up to Jet Ear,  the last record they tracked and mixed here in 2007. This time around we did it the old-fashioned way: thirteen songs in nine hours, minimal takes, no headphones, no overdubs, [...]]]></description>
				<content:encoded><![CDATA[<p>As in, “Change the channel, hun – my progrum is on!”</p>
<p>The Donuts returned to 1935 this Saturday to record the follow up to <a href="http://www.cdbaby.com/cd/thedonuts4">Jet Ear</a>,  the last record they tracked and mixed here in 2007. This time around we did it the old-fashioned way: thirteen songs in nine hours, minimal takes, no headphones, no overdubs, no screwing around. Highlights included an obligatory perusal of the best tracks from <em>People Let Me Get This Off My Chest</em>; a bottle of Herradura Silver and 1792 Ridgemont Reserve to keep up the rock energy; Marra’s sausage and anchovy pizza to fuel the engines; and most importantly, re-recording the title track on top of the keeper take. While that may count as one big overdub, we’d prefer to think of it as an additional take as a means to an end. Besides, a little Wall Of Sound™ never hurt anyone.</p>
<div id="attachment_38" class="wp-caption alignleft" style="width: 310px"><a href="http://www.nineteenthirtyfive.com/wp-content/uploads/2012/12/TheDonuts_Progrum.jpg"><img class="size-medium wp-image-38" title="The Donuts record 'Progrum'" src="http://www.nineteenthirtyfive.com/wp-content/uploads/2012/12/TheDonuts_Progrum-300x225.jpg" alt="" width="300" height="225" /></a><p class="wp-caption-text">The Donuts record ‘Progrum’. L-R: Burdman, Don “Don” Noodle, Chuck Vadge, Fathead, Deiter Affeschlüsselgruppe, J. Bearclaw. Click to embiggen.</p></div>
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		<title>Lowlands (Italy) remixes, July &amp; August</title>
		<link>http://www.nineteenthirtyfive.com/?p=31</link>
		<comments>http://www.nineteenthirtyfive.com/?p=31#comments</comments>
		<pubDate>Fri, 24 Aug 2012 15:47:09 +0000</pubDate>
		<dc:creator>Peter Rydberg</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.nineteenthirtyfive.com/?p=31</guid>
		<description><![CDATA[Long time friend and client of the studio Mike Brenner was kind enough to recommend 1935 to Ed Abbiati of Lowlands , an Italy-based rock band in the tradition of Whiskeytown, Soul Asylum and Marah. Ed needed six songs remixed for their upcoming release due out in the fall. The tracks ranged from blasts of [...]]]></description>
				<content:encoded><![CDATA[<p>Long time friend and client of the studio <a href="http://www.heyslomo.com/">Mike Brenner</a> was kind enough to recommend 1935 to Ed Abbiati of <a href="http://www.lowlandsband.com">Lowlands</a> , an Italy-based rock band in the tradition of Whiskeytown, Soul Asylum and Marah. Ed needed six songs remixed for their upcoming release due out in the fall. The tracks ranged from blasts of freak-out psych to epic Springsteen-esque rockers. Lots of fun to mix &#8211; looking forward to working again with these folks in the future.</p>
<div id="attachment_32" class="wp-caption alignnone" style="width: 482px"><a href="http://www.nineteenthirtyfive.com/wp-content/uploads/2012/08/EdwardAbbiati_LOWLANDS_GabriellaAscari.jpg"><img class="size-full wp-image-32" title="Edward Abbiati of Lowlands" src="http://www.nineteenthirtyfive.com/wp-content/uploads/2012/08/EdwardAbbiati_LOWLANDS_GabriellaAscari.jpg" alt="" width="472" height="708" /></a><p class="wp-caption-text">Ed Abbiati. Photo by Gabriella Ascari.</p></div>
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		<title>JJL, July 14-15 2012</title>
		<link>http://www.nineteenthirtyfive.com/?p=22</link>
		<comments>http://www.nineteenthirtyfive.com/?p=22#comments</comments>
		<pubDate>Mon, 16 Jul 2012 15:26:31 +0000</pubDate>
		<dc:creator>Peter Rydberg</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.nineteenthirtyfive.com/?p=22</guid>
		<description><![CDATA[Here&#8217;s a few photos from the recent session with JJL, the latest project from Jay Laughlin (Lenola and Like A Fox). These guys make a lot of noise for a three piece, even before all the production layers. This ongoing project promises to be a lot of fun. You can find more pictures and a [...]]]></description>
				<content:encoded><![CDATA[<p>Here&#8217;s a few photos from the recent session with <a title="JJL" href="http://jjlband.com/" target="_blank">JJL</a>, the latest project from Jay Laughlin (Lenola and Like A Fox). These guys make a lot of noise for a three piece, even before all the production layers. This ongoing project promises to be a lot of fun. You can find more pictures and a video at the band link <a href="http://jjlband.com/" target="_blank">here</a>.</p>
<p><a href="http://www.nineteenthirtyfive.com/wp-content/uploads/2012/07/JayLaughlin.jpg"><img class="size-large wp-image-25 alignnone" title="Jay Laughlin" src="http://www.nineteenthirtyfive.com/wp-content/uploads/2012/07/JayLaughlin-1024x1024.jpg" alt="" width="1024" height="1024" /></a></p>
<p><a href="http://www.nineteenthirtyfive.com/wp-content/uploads/2012/07/BrianWilkinson.jpg"><img class="size-large wp-image-24 " title="Brian Wilkinson" src="http://www.nineteenthirtyfive.com/wp-content/uploads/2012/07/BrianWilkinson-1024x1024.jpg" alt="" width="1024" height="1024" /></a> Brian proved once again why Orange amps are worth every penny.</p>
<p><a href="http://www.nineteenthirtyfive.com/wp-content/uploads/2012/07/PeteGirgenti.jpg"><img class="size-large wp-image-23" title="Pete Girgenti" src="http://www.nineteenthirtyfive.com/wp-content/uploads/2012/07/PeteGirgenti-1024x1024.jpg" alt="" width="1024" height="1024" /></a> Drum tuning. M/S mic setup = RCA 77DX + AT4040, one of 3 different ambient mic options recorded.</p>
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		<title>Philadelphia Ukulele Orchestra, March 10 2012</title>
		<link>http://www.nineteenthirtyfive.com/?p=16</link>
		<comments>http://www.nineteenthirtyfive.com/?p=16#comments</comments>
		<pubDate>Fri, 16 Mar 2012 15:12:13 +0000</pubDate>
		<dc:creator>Peter Rydberg</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.nineteenthirtyfive.com/?p=16</guid>
		<description><![CDATA[1935 recently hosted the Philadelphia Ukulele Orchestra when they came in for the initial tracking session for their first release. An immense amount of material was recorded that day and everyone had a great time. Here&#8217;s a few pictures from the session taken by Mark Schreiber: &#160; &#160; &#160;]]></description>
				<content:encoded><![CDATA[<p>1935 recently hosted the Philadelphia Ukulele Orchestra when they came in for the initial tracking session for their first release. An immense amount of material was recorded that day and everyone had a great time. Here&#8217;s a few pictures from the session taken by Mark Schreiber:</p>
<p>&nbsp;</p>
<div id="attachment_20" class="wp-caption alignnone" style="width: 510px"><a href="http://www.nineteenthirtyfive.com/?attachment_id=20" rel="attachment wp-att-20"><img class="size-full wp-image-20" title="Cecil St. Vitas / Chris Malcarney" alt="" src="http://www.nineteenthirtyfive.com/wp-content/uploads/2012/03/6985871963_8368957c9f.jpg" width="500" height="333" /></a><p class="wp-caption-text">Cecil St. Vitas</p></div>
<p>&nbsp;</p>
<div id="attachment_19" class="wp-caption alignnone" style="width: 510px"><a href="http://www.nineteenthirtyfive.com/?attachment_id=19" rel="attachment wp-att-19"><img class="size-full wp-image-19" title="Hubert Clarence Lindencroft / Mike Frank" alt="" src="http://www.nineteenthirtyfive.com/wp-content/uploads/2012/03/6985863751_8176b1b1bf.jpg" width="500" height="333" /></a><p class="wp-caption-text">Hubert Clarence Lindencroft</p></div>
<p>&nbsp;</p>
<p><a href="http://www.nineteenthirtyfive.com/wp-content/uploads/2012/03/6839754372_70e3f34e02.jpg"><img class="size-full wp-image-18" title="vocals" alt="" src="http://www.nineteenthirtyfive.com/wp-content/uploads/2012/03/6839754372_70e3f34e02.jpg" width="500" height="333" /></a></p>
<p><a href="http://www.nineteenthirtyfive.com/?attachment_id=17" rel="attachment wp-att-17"><img class="alignnone size-full wp-image-17" title="engineering" alt="" src="http://www.nineteenthirtyfive.com/wp-content/uploads/2012/03/6839761688_4edb035af6.jpg" width="500" height="332" /></a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Our past, the present and the future.</title>
		<link>http://www.nineteenthirtyfive.com/?p=14</link>
		<comments>http://www.nineteenthirtyfive.com/?p=14#comments</comments>
		<pubDate>Mon, 06 Feb 2012 21:15:33 +0000</pubDate>
		<dc:creator>Peter Rydberg</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.nineteenthirtyfive.com/?p=14</guid>
		<description><![CDATA[Located in the heart of South Philadelphia, 1935 was founded by producer/engineers Pete Rydberg and Paul Smith. We had worked together on a variety of projects in the past and always looked for an opportunity to find our own space to make music with talented people in a no-pressure environment. That opportunity became reality in [...]]]></description>
				<content:encoded><![CDATA[<p>Located in the heart of South Philadelphia, 1935 was founded by producer/engineers Pete Rydberg and Paul Smith. We had worked together on a variety of projects in the past and always looked for an opportunity to find our own space to make music with talented people in a no-pressure environment. That opportunity became reality in 2003 when we set up shop in a huge workspace that was once a Mummer clubhouse.</p>
<p>However, after nearly ten years of countless sessions, late nights and great records, Paul has moved on to new audio opportunities in the Garden State.</p>
<p>1935 remains fully operational as both a recording studio and work space under Pete Rydberg, who continues to engineer and produce records as well as provide audio services to a media-based client roster.</p>
<p>For more information including rates and availability: info [at] nineteenthirtyfive [dot] com.</p>
]]></content:encoded>
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